That we fall for the fakes and cons is understandable, given that’s all we have left in the public sphere.
What do we mean when we say corporate media is fake? We mean it’s a carefully crafted con, a set of narratives, cherry-picked data and heavily massaged statistics (the unemployment rate, etc.) designed to instill the reader’s confidence in a narrative that serves the interests not of the citizenry but of a select few pillaging the citizenry.
Once upon a time in America, no adult could survive without a finely tuned BS detector. Herman Melville masterfully captured America’s culture of cons and con artists in his 1857 classic The Confidence-Man, which I discussed in The Con in Confidence (October 4, 2006).
An essential component of the American ethos is: don’t be a chump. Don’t fall for the con. And if you do, it’s your own fault. America in 1857 was a simmering stew of con artists, flim-flammers and grifters exploiting the naive, the trusting and the credulous, and that remains the case in 2019.
We now inhabit a world where virtually everything is a con. That “organic” produce from some other country–did anyone test the soil the produce grew in? It could be loaded with heavy metals and be certified “organic” because no pesticides were used during production. Are there any nutrients left in the soil or has it been depleted? What’s in the water used to irrigate the crops?
The point of the con in offshored “organic” is the higher prices fetched. This is why it’s critical to ask of every narrative, story, product and data set: cui bono, to whose benefit?
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