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From dismal science to language of beauty – Towards a new story of economics | Degrowth 2014

From dismal science to language of beauty – Towards a new story of economics | Degrowth 2014.

Humans are storytelling beings. In fact one could argue that it is impossible to make sense of the world without story. Storytelling is how we piece together facts, beliefs, feelings and history to form something of a coherent whole connecting us to our individual and collective past, present and future. The stories that help make meaning of our lives inform how we shape and re-shape our environment. This re-created world, through its felt presence in structures and systems as well as its cultural expressions, in turn tells us its story.

We live in a time of powerful globalised narratives. We no longer (or rarely) sit and listen to tales that were born of places we know intimately and told by people deeply connected to these places. Ours is a world saturated with information from every corner of the planet, voiced by ‘storytellers’ on television, radio, the internet, mobile phones, newspapers, billboards, books and magazines.  It would appear that we now have access to a multitude of perspectives and, with that, more understanding of the different options open to human beings to live fulfilling lives. In reality however, the majority of us have to conform to a narrow set of rules not of our own making: the rules of economics.

The way in which our lives have become dominated by the pursuit of financial gain is full of contradictions. We may not be driven by the ‘love of money’ but we still have to ‘make a living’. The fluctuations in the economy have a profound effect on our everyday lives, but very few of us understand how it works, let alone feel we have the power to influence it. This lack of agency fills most of us with a degree of ‘background anxiety’ that drives many of our decisions, consciously or unconsciously. The economic story is possibly the most powerful story being told at this very moment.

So how is this story being told (and sold) to us? How is it being framed?

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Olduvai IV: Courage
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Olduvai II: Exodus
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