Cataclysms and the Megamachine: Is History a Cycle or a Progression?
This image by the Tuscan painter Piero della Francesca exudes such power that it may truly blow your mind. Apart from the mastery of the composition, the perfection of the details, the fascination of the human figures, a canvas in the hands of a grand master is not just an image: it is a message. In this case, all the figures are static, there is no one moving. Yet, the painting carries the message of a tremendous movement forward in time. It shows a great change occurring: something enormous, deep, incredible: the triumph of life over death. And those who sleep through it are missing the change without even suspecting that it is happening. Just like us, sleepwalkers in a changing world, where gigantic forces are awakening right now.
“Cataclysms” (*) is a recent book by Laurent Testot (Univ. Chicago Press, 2020) that goes well together with “The End of the Megamachine” (Zero Books, 2020) by Fabian Scheidler of which I wrote in a previous post.Both books see human history using the approach that I call “metabolic.” It means to take the long view and see humankind in terms of a living entity. Call it a “machine” (as Scheidler does), call it “Monkey” (as Testot does), call it a “complex system” (as it is fashionable, nowadays), or maybe a holobiont (as I tend to do). It is the same: humankind is a creature that moves, grows, stumbles onward, destroys things, builds new things, keeps growing, and, eventually, collapses.
Bot “Cataclysms” and the “Megamachine” catch this multiform aspect of the great beast and both emphasize its destructive aspects. Both understand that the thing is moving. More than that, its trajectory is not uniform, it goes in bumps. It is a continuous sequence of growth and collapse, the latter usually faster than the former (what I call “The Seneca Effect“).…click on the above link to read the rest of the article…
