The View From Outside
Recently I’ve been reacquainting myself with the stories of Clark Ashton Smith. Though he’s largely forgotten today, Smith was one of the leading lights of Weird Tales magazine during its 1930s golden age, ranking with H.P Lovecraft and Robert Howard as a craftsman of fantasy fiction. Like Lovecraft, Howard, and most of the other authors in the Weird Tales stable, Smith was an outsider; he spent his life in a small town in rural California; he was roundly ignored by the literary scene of his day, and returned the favor with gusto. With the twilight of the pulps, Smith’s work was consigned to the dustbin of literary history. It was revived briefly during the fantasy boom of the 1970, only to sink from sight again when the fantasy genre drowned in a swamp of faux-medieval clichés thereafter.
There’s no shortage of reasons to give Smith another look today, starting with his mastery of image and atmosphere and the wry humor that shaped the best of his mature work. Still, that’s a theme for another time, and possibly another forum. The theme that’s relevant to this blog is woven into one of Smith’s classic stories, The Dark Age. First published in 1938, it’s among the earliest science fiction stories I know of that revolves around an organized attempt to preserve modern science through a future age of barbarism.
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