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Dumb Ways to Die: Welcome to Our Mass Suicide

Dumb Ways to Die: Welcome to Our Mass Suicide

So…here we are, only a year away from 2020 and contemplating another year in the struggle for survival. The Intergovernmental Panel on Climate Change (IPCC) says we’ve got about 12 years to turn this climate change thing around and that’s just to avoid catastrophe, never mind guaranteeing a healthy planet in the future. Such a catastrophe could well involve the extinction of human beings, which would reveal just how dumb we are. Is there anything more stupid that the most intelligently-evolved species on the planet could do than commit mass suicide?

Barbarism and Extinction

I am astounded at the tenacity, resilience and persistence of folks such as climate scientist James Hansen who, on behalf of future generations, have been shouting about the environmental threat since the late 1980s. And, since those days of his Congressional testimony Hansen, who worked for many years at the National Aeronautics and Space Administration (NASA), has courageously spread the word about climate change to fulfill part of NASA’s mission statement: To Understand and Protect the Home Planet.

Indeed, this was part of the mission statement of NASA until 2006 when those fateful words were quietly and very symbolically removed. Organizations such as the Union of Concerned Scientists were very disturbed about this development, noting at the time that research and funding opportunities related to earth science and climate change would be much harder to justify with NASA’s new focus solely on space exploration. Some may say it’s a bloody good job that we are learning more about life on other planets and how we can get there, given that a privileged bunch of us may have to flee this one at some point in the not-to-distant future. And, given the inequalities inherent in our current economic order, it will be only the rich that are saved.

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The Cimmerian Hypothesis, Part One: Civilization and Barbarism

The Cimmerian Hypothesis, Part One: Civilization and Barbarism

One of the oddities of the writer’s life is the utter unpredictability of inspiration. There are times when I sit down at the keyboard knowing what I have to write, and plod my way though the day’s allotment of prose in much the same spirit that a gardener turns the earth in the beds of a big garden; there are times when a project sits there grumbling to itself and has to be coaxed or prodded into taking shape on the page; but there are also times when something grabs hold of me, drags me kicking and screaming to the keyboard, and holds me there with a squamous paw clamped on my shoulder until I’ve finished whatever it is that I’ve suddenly found out that I have to write.

Over the last two months, I’ve had that last experience on a considerably larger scale than usual; to be precise, I’ve just completed the first draft of a 70,000-word novel in eight weeks. Those of my readers and correspondents who’ve been wondering why I’ve been slower than usual to respond to them now know the reason. The working title is Moon Path to Innsmouth; it deals, in the sidelong way for which fiction is so well suited, with quite a number of the issues discussed on this blog; I’m pleased to say that I’ve lined up a publisher, and so in due time the novel will be available to delight the rugose hearts of the Great Old Ones and their eldritch minions everywhere.

None of that would be relevant to the theme of the current series of posts on The Archdruid Report, except that getting the thing written required quite a bit of reference to the weird tales of an earlier era—the writings of H.P. Lovecraft, of course, but also those of Clark Ashton Smith and Robert E. Howard, who both contributed mightily to the fictive mythos that took its name from Lovecraft’s squid-faced devil-god Cthulhu.

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The View From Outside

The View From Outside

Recently I’ve been reacquainting myself with the stories of Clark Ashton Smith. Though he’s largely forgotten today, Smith was one of the leading lights of Weird Tales magazine during its 1930s golden age, ranking with H.P Lovecraft and Robert Howard as a craftsman of fantasy fiction. Like Lovecraft, Howard, and most of the other authors in the Weird Tales stable, Smith was an outsider; he spent his life in a small town in rural California; he was roundly ignored by the literary scene of his day, and returned the favor with gusto. With the twilight of the pulps, Smith’s work was consigned to the dustbin of literary history.  It was revived briefly during the fantasy boom of the 1970, only to sink from sight again when the fantasy genre drowned in a swamp of faux-medieval clichés thereafter.

There’s no shortage of reasons to give Smith another look today, starting with his mastery of image and atmosphere and the wry humor that shaped the best of his mature work. Still, that’s a theme for another time, and possibly another forum. The theme that’s relevant to this blog is woven into one of  Smith’s classic stories, The Dark Age. First published in 1938, it’s among the earliest science fiction stories I know of that revolves around an organized attempt to preserve modern science through a future age of barbarism.

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Olduvai IV: Courage
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Olduvai II: Exodus
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