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A Cool Interval-James Howard Kunstler

A Cool Interval

For the moment, while the racial grievances of 2014 have chilled on the polar vortex, and no unarmed black teens have been shot by cops for a couple of weeks, it might be a good time to continue that honest discussion about race that the media nabobs — such as Charles Blow and Nicholas Kristof of The New York Times and Don Lemon of CNN — demand when some incendiary event goes down and tensions across the country become unbearable. That demand, of course, is a political booby-trap because any discussion not founded on the presumption of white malice is instantly deemed inadmissible and “racist” — which is just cheap demagogic despotism designed to shut down the very discussion they asked for. So that is exactly what I expect in response to this essay.

I bring these matters up because it seems to me that the long, arduous, costly battle for “civil rights” which began in my childhood a half century ago is beginning to look like a lost cause. The movies and TV are full of black / white buddy stories, and commercial images of a shared American experience as if there really was a common culture that blacks and whites felt an equal investment in. These stories and images are largely wishful, though I believe the dream of a common culture that would nurture all types of people in America stood at the heart of civil rights idealism of the sort represented by Martin Luther King and the white public figures who marched in solidarity with him.

Something went terribly wrong in the early going, and I don’t think there has ever been an honest discussion about it by American social thought leaders of any race, though I have raised the point more than once in passing. It was the paradoxical rise of black separatist politics at the exact historical moment of civil rights triumph when the two landmark civil rights bills were passed: the Public Accommodations Act of 1964 and the Voting Rights Act of 1965.

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