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Rome: A Eulogy

Rome: A Eulogy

When we find ourselves in times of trouble, we could do worse than plunge into The Academy of Western Civilization.

So let me take you down on a stroll around the ultimate theo-geopolitical space: the Eternal City, a.k.a. Caput Mundi (“wonder of the world”).

In Adonais, Shelley urged “Go thou to Rome” and “from the world’s bitter wind / seek shelter in the shadow of the tomb”. What better refuge than Rome’s ruins, stressing loud and clear that fragmentation and mortality are mere illusion, and reality is enduring unity outside time.

Since Petrarch arrived from Avignon in 1341 to sing its praises, Rome in the Western mind has represented the ultimate threshold, the ultimate shrine. It’s still easy to picture Freud at the Forum comparing the vertical sequence of Roman ruins to the layers of memory in our psyche. Or Fellini in La Dolce Vita also interpreting Roman life as a vertical sequence, cinematically playing with images from different historical eras.

The mythical origins of Rome point to a resurgence of Troy vanquished by the Greeks. The foundation – and development – of Rome involves Mars as the father of Romulus and Remus, and Venus giving birth to the “gens Julia” of which Caesar sprang up. Greek-Latin antiquity is a formidable theo-geopolitical space. Vanquished in Troy, Mars and Venus got their revenge in Rome.

An empire lasting five centuries could not but still be imprinted in the Western psyche. It’s a pleasure to revisit Suetonius describing how Augustus embellished Rome for the glory of the empire. Or Lucretius, two centuries after Epicurus, presenting the world as issued from a flux of matter and composed by the congregation of every atom in the universe.

Our collective psyche is familiar with what happened after the reign of Marcus Aurelius; the Germans to the west and the Parthians to the east threatened the borders of the empire.

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