(Spoiler alert: In this piece I discuss many events at the end of each film. For Mad Max fans this should make no difference in their enjoyment of the long and injurious chase scenes that are the meat of the film. I do not see how the confusing concatenation of nonsequiters that make up Tomorrowland could be ruined by my commentary. But, those who want to see the film without knowing the end should read no further–until they return from a showing.)
In Disney’s Tomorrowland something’s gone wrong in the mysterious Platonic dimension of forms called Tomorrowland which communicates with and influences the real world of today. Hugh Laurie plays the ruler of Tomorrowland. He laments that he has been sending messages to the real world for years about all the stupid things people are doing: wasting resources, changing the climate, polluting the planet, engaging in senseless wars. But almost no one seems to be listening. For those few who are, all they do is talk about the negative without offering any solutions.
By now–meaning present-day global society–we were supposed to have gleaming, clean, clockwork cities everywhere–with flying cars, of course. So, where did we go wrong?
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