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How Does Cinema War Propaganda Really Work?

How Does Cinema War Propaganda Really Work?

It goes far beyond the government entertainment liaison offices

As the co-authors of National Security Cinema, we have become known — rather inaccurately — for encouraging two major ideas:-

1. That the government is really important in making movies more militaristic.

2. That Hollywood doesn’t produce dissenting films.

While the first of these is somewhat true it is a simplification, the second is a falsehood.

The government is involved in as wide a range of entertainment projects as you can imagine, from video games to chat shows to blockbusters to docudramas. While many of these were militaristic from conception, before the government got involved, there is no doubt the the Department of Defense (a.k.a. the Pentagon) has encouraged the militarisation of popular culture and is pro-actively seeking further influence in Hollywood.

However, we want to emphasise that government support is by no means a prerequisite for Hollywood making militaristic movies. The sub-genre we have proposed — “national security cinema” — does not necessarily require the involvement of the actual national security apparatus in the production process.

National Security Cinema — Beyond the Government

Some of the examples are truly striking. Consider Rambo III (1988), set in the Soviet war in Afghanistan. The film demonised the Soviets and depicted our allies of the time, the Islamic mujahideen, as heroic — albeit wild and stupid (in keeping with long-standing Hollywood stereotypes about Arabs).

This portrait is consistent with other films set in that war both before and since, such as the James Bond movie The Living Daylights (1987) and Charlie Wilson’s War (2007). While Rambo III did technically receive some support from the State Department, this did not affect the script, and the film very much reflected US government policy on steroids.

…click on the above link to read the rest of the article…

EXCLUSIVE: Documents expose how Hollywood promotes war on behalf of the Pentagon, CIA and NSA

EXCLUSIVE: Documents expose how Hollywood promotes war on behalf of the Pentagon, CIA and NSA

US military intelligence agencies have influenced over 1,800 movies and TV shows

Plato’s Cave reimagined for the Hollywood era — copyright Derek Swansonn

Tom Secker and Matthew Alford report on their astonishing findings from trawling through thousands of new US military and intelligence documents obtained under the Freedom of Information Act.

The documents reveal for the first time the vast scale of US government control in Hollywood, including the ability to manipulate scripts or even prevent films too critical of the Pentagon from being made — not to mention influencing some of the most popular film franchises in recent years.

This raises new questions not only about the way censorship works in the modern entertainment industry, but also about Hollywood’s little known role as a propaganda machine for the US national security apparatus.


When we first looked at the relationship between politics, film and television at the turn of the 21st century, we accepted the consensus opinion that a small office at the Pentagon had, on request, assisted the production of around 200 movies throughout the history of modern media, with minimal input on the scripts.

How ignorant we were.

More appropriately, how misled we had been.

We have recently acquired 4,000 new pages of documents from the Pentagon and CIA through the Freedom of Information Act. For us, these documents were the final nail in the coffin.

These documents for the first time demonstrate that the US government has worked behind the scenes on over 800 major movies and more than 1,000 TV titles.

The previous best estimate, in a dry academic book way back in 2005, was that the Pentagon had worked on less than 600 films and an unspecified handful of television shows.

…click on the above link to read the rest of the article…

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