It is strange how sometimes fiction manages to catch human feelings and ideas in ways that are not easy to articulate in terms of facts and models. H.P. Lovecraft (1890-1937) has been one of the world masters of the horror genre, managing to flesh out some of our deep fears.
We can read Lovecraft’s story “The Doom that Came to Sarnath” as an allegory of our times. The prosperous and shiny city of Sarnath had a dark origin, the violence against the previous inhabitants of the region. And the whole drama unfolds with all the characters mentioned in the story aware that they’ll have to face some kind of retribution for what they did and, yet, refusing to admit it. And the retribution came to Sarnath in a form not unlike what the Roman philosopher Lucius Seneca had noted when he said that “growth is sluggish, but the way to ruin is rapid,” the Seneca Cliff.
In our case, we know what we did to the Earth’s ecosystem. We know about the greenhouse gases, we know about the slaughter of other species, we know about the pillaging of the Earth’s resources. We know all that but, like the inhabitants of Sarnath, we refuse to admit it. What kind of retribution can we expect in the future?
It is curious how the knowledge of the horror we did to our planet takes the shape of the tales of the horror genre. It is something modern, the ancient just didn’t have it. Think of Dante Alighieri: his Comedy is all about ghosts, but there is no horror anywhere in modern terms. Think of Shakespeare’s Hamlet, there is a ghost, a skeleton, a dark castle, but no horror elements. Why?
…click on the above link to read the rest of the article…