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The Commons, Short and Sweet

The Commons, Short and Sweet

I am always trying to figure out how to explain the idea of the commons to newcomers who find it hard to grasp.  Here is a fairly short overview, which I think gets to the nub of things.

The commons is….

  • A social system for the long-term stewardship of resources that preserves shared values and community identity.
  • A self-organized system by which communities manage resources (both depletable and and replenishable) with minimal or no reliance on the Market or State.
  • The wealth that we inherit or create together and must pass on, undiminished or enhanced, to our children.  Our collective wealth includes the gifts of nature, civic infrastructure, cultural works and traditions, and knowledge.
  • A sector of the economy (and life!) that generates value in ways that are often taken for granted – and often jeopardized by the Market-State.

 There is no master inventory of commons because a commons arises whenever a given community decides it wishes to manage a resource in a collective manner, with special regard for equitable access, use and sustainability.

The commons is not a resource.  It is a resource plus a defined community and the protocols, values and norms devised by the community to manage its resources.  Many resources urgently need to be managed as commons, such as the atmosphere, oceans, genetic knowledge and biodiversity.

There is no commons without commoning – the social practices and norms for managing a resource for collective benefit.  Forms of commoning naturally vary from one commons to another because humanity itself is so varied.  And so there is no “standard template” for commons; merely “fractal affinities” or shared patterns and principles among commons.  The commons must be understood, then, as a verb as much as a noun.  A commons must be animated by bottom-up participation, personal responsibility, transparency and self-policing accountability.

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Sarah Woods on imagination and “the crisis of what comes next”.

If it is true that we are living through a time in which our collective imagination is increasingly devalued and undernourished, what might be the role of story in that, and how might story be part of the remedy?  There are few better people to discuss this with than Sarah Woods.  Sarah is a writer across all media and her work has been produced by many companies including the RSC, Hampstead and the BBC.

Her opera ‘Wake’, composed by Giorgio Battistelli, opens in March, as does her play ‘Primary’, about the UK state education system. Alongside many other projects, she is currently writing the musical of the play she co-wrote with the late Heathcote Williams ‘The Ruff Tuff Cream Puff Estate Agency’, about squatting and DIY culture. Her play ‘Borderland’ just won the Tinniswood Award for best radio drama script of 2017.

Sarah is a Wales Green Hero, and her work is about, as she told me, “story wherever it’s most useful, across the board”.  I started by asking her the question I always ask in these interviews, but never as the first question.  If you had been elected as the Prime Minister at the next election and you had run on a programme of ‘Make Britain Imaginative Again’, what might be some of the things that you would announce in your first 100 days? 

“I would want for everybody to start looking at society and their lives as systems, which is about three things isn’t it?  Elements and interconnections and then the things that come out of that.  I suppose at the moment I feel that we’ve got a problem with the way that we’re relating to each other.  There’s a lot of division so that we’re in little boxes.

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Social Polycultures: Using Permaculture For Building Resilient Relationships

SOCIAL POLYCULTURES: USING PERMACULTURE FOR BUILDING RESILIENT RELATIONSHIPS

It is important to recognize that no physical system is created without social systems and stronger social systems better support our physical systems and vice versa. Each of these physical systems have some assemblage of roles that make the whole project function. For example a permaculture based design firm working on installing an urban permaculture farm might have, designers, office managers, installers, caretakers, etc. Those people are in turn connected to and supported by additional social systems, like families or friends and colleagues that enable them to do the work that they do.

By applying the permaculture ethics, principles, and a similar design process that we use in our physical systems to our social systems we can get better at bringing about greater ease, functionality and mutual benefits in both our physical sites and social organizations and programs. By making these social networks visible and honoring their important functions we can counter the problematic individualist narrative and learn to better collaborate for greater effective change.

PERMABLITZ: SOCIAL SYSTEMS DESIGN IN ACTION:

One example of this design thinking in action can be seen in the implementation of Permablitz’s. As defined by Permablitz Melbourne, a Permablitz is an informal gathering involving a day on which a group of at least two people come together to achieve the following:

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Olduvai IV: Courage
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Olduvai II: Exodus
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