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Driverless Cars and the Cult of Technology

September 13, 2018

We constantly hear that driverless cars are just around the corner. We’re told they will revolutionize transportation and enable us to continue using our car-based transport and land-use system. If they’re made by Tesla, they’ll be powered by magic, solar-powered, super efficient batteries and we’ll all be able to keep living our hyper-mobile, hyper-consumptive lifestyles without any damage to the environment. The only problem is we’ve been hearing about all this for the last five to ten years and there’s no evidence that it’s anything but the same old technological, utopian dreck that we’ve been hearing since General Motors debuted “Futurama” at the 1939 World’s Fair.

Technological utopianism fueled by science fiction is nothing new. If you’ve never seen it, watch Disney’s short animated film “Magic Highway” from 1958. It’s remarkably similar to this recent promotional film for an Elon Musk tubular underground transportation systemin Los Angeles. They’re both fantasies that maintain our inefficient, car-oriented transportation and land-use systems and help the Automobile Industrial Complex retain its stranglehold on our imaginations. They’re also fantasies that dovetail with corporate capitalism’s fantasy of automating the entire workforce and using technology to eliminate jobs and reduce costs.

In many ways, driverless cars have all the makings of a massive cult–the Cult of Technology. This is the idea that technology will somehow solve the problems of human greed, over-population and over-consumption of planetary resources, and therefore will also solve the related problems of climate change, waste, pollution, and species extinction. It’s an old fantasy but one we still buy into. It preys on our laziness and gullibility and it distracts and deludes us so much that we can’t see basic realities staring us in the face.

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The future isn’t what it used to be

August 9, 2015

The future isn’t what it used to be

Two recent films couldn’t be more at odds in their vision of the future. Mad Max: Fury Road is the long-awaited continuation of the Mad Max movie series. The movie is essentially a relentless chase scene set in a world burned to desert by climate change and bereft of civilization which has long since vanished in a haze of war and resource shortages.

(Spoiler alert: In this piece I discuss many events at the end of each film. For Mad Max fans this should make no difference in their enjoyment of the long and injurious chase scenes that are the meat of the film. I do not see how the confusing concatenation of nonsequiters that make up Tomorrowland could be ruined by my commentary. But, those who want to see the film without knowing the end should read no further–until they return from a showing.)

In Disney’s Tomorrowland something’s gone wrong in the mysterious Platonic dimension of forms called Tomorrowland which communicates with and influences the real world of today. Hugh Laurie plays the ruler of Tomorrowland. He laments that he has been sending messages to the real world for years about all the stupid things people are doing: wasting resources, changing the climate, polluting the planet, engaging in senseless wars. But almost no one seems to be listening. For those few who are, all they do is talk about the negative without offering any solutions.

By now–meaning present-day global society–we were supposed to have gleaming, clean, clockwork cities everywhere–with flying cars, of course. So, where did we go wrong?

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Yesterday’s Tomorrowland

May 25, 2015

Yesterday’s Tomorrowland

America takes pause on a big holiday weekend requiring little in the way of real devotions beyond the barbeque deck with two profoundly stupid movie entertainments that epitomize our estrangement from the troubles of the present day.

First there’s Mad Max: Fury Road, which depicts the collapse of civilization as a monster car rally. They managed to get it exactly wrong. The present is the monster car show. Houston. Los Angeles. New Jersey, Beijing, Mumbai, etc. In the future, there will be no cars, gasoline-powered, electric, driverless, or otherwise. Mad Max: Fury Road is actually a perverse exercise in nostalgia, as if we’re going to miss being a nation of savages in the driver’s seat, acting out an endless and pointless competition for our little place on the highway.

The other holiday blockbuster is Disney’s Tomorrowland, another exercise in nostalgia for the present, where the idealized human life is a matrix of phone apps, robots, and holograms. Of course, anybody who had been to Disneyland back in the day remembers the old Tomorrowland installation, which eventually had to be dismantled because its vision of the future had become such a joke — starting with the idea that the human project’s most pressing task was space travel. Now, at this late date, the monster Disney corporation — a truly evil empire — sees that more money can be winkled out of the sore-beset public by persuading them that techno-utopia is at hand, if only we click our heels hard enough.

Another theme running through both films is the idea that girls can be what boys used to be, that it’s “their turn” to be masters-of-the-universe, that men are past their sell-by date and only exist to defile and humiliate females.

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Olduvai IV: Courage
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Olduvai II: Exodus
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